Every month we roundup the best new portfolios released in the past four weeks. Last month we’re looking back in the entire of 2019, and picking out 19 of those favorites in the previous 12 weeks. There’s a mix here of vibrant and restrained, anticipated and experimental ; the one thing they all have in common is a focus to details that produces an UX. Enjoy!
WTF Studio
In case you’re going to name your organization WTF Studio, you will need a suitably WTF website. Able Parris is a NY-based creative manager who’s happy to smack you in the face using color and motion. What we loved about this website is that you’t scrolled past it, the debut ’s very secure, very clear. Attitude doesn’t even need to mean sacrificing UX.
Stereo
Stereo includes smooth animation, a gorgeous palette, plus some really gorgeous kind. What makes it stand out is the navigation menu that is unusual — it scrolls across the center of the screen like an old-style marquee. We loved its cartoon that was sweeping as it changes from state to state.
Eva Garcia
We weren’this year t even just impressed with the portfolios of design agencies. Eva Garcia’s portfolio is a classic instance of how to create a portfolio website. It’s brand-appropriate, intuitive to use, and allows the job come to the fore.
Kévin Chassagne
Kévin Chassagne’s site is a wonderful example of a website that provides excellent design, and awesome animation, with no relying on JavaScript. The JavaScript here is used to get some details, but you eliminate nothing without it. Everything in the typography, to the color scheme, to the UX are terrific to get a portfolio if you’re browsing countless sites at once.
Nicky Tesla
Nicky Tesla’s portfolio is just one of the most original of 2019. It’s spreadsheet; it doesn’t look like a spreadsheet, it actually is just one; it’s spreadsheet on Google, using a domain attached. It’s not the most beautiful portfolio you’ll ever visit, but it is daringly dedicated to its core concept.
Florian Wacker
Florian Wacker’s portfolio features absolutely amazing typography. Us frees straight back at the onset of the calendar year, if minimalism was de rigueur. As a pitch to look bureaus that value typography that is good, this is faultless.
Adam Brandon
More minimalism from the beginning of 2019 at the kind of Adam Brandon’s portfolio. His client list is rather powerful, together with Netflix, Apple, Nike, and Ford in there. The website takes a step back and allows the job market itself.
EVOXLAB
Evoxlab is a strange website for us, in that it has gone out of its way to mimic powerpoint slides, and it can be bordering on skeuomorphism. Well, rather. It feels like a slideshow. We’t added it s extremely dedicated to the idea, and also in this case it works.
Plug & Play
The agency website for Plug & Play is just one of the least difficult sites we’ve seen in 2019. In lots of ways it verges about cliché, because this website is about a simplified user experience but that & rsquo; s all intentional. What’s we adore the way it changes from mode to light, as you scroll.
Athletics
Athletics jumps directly into fullscreen video case studies of work for customers like IBM. In case you’ve got the budget, then you’re probably marketed, however, Athletics follows up using a grid of lower-profile, however, both exciting layout function.
Revolve Studio
Revolve Studio’s site stands out not due to the presentation-style user experience, but because it’s developed in ASP.NET. By not only showing any job, which will be an unusual approach that’s been amazingly popular it stands out.
Florian Monfrini
Florian Monfrini’s portfolio is an expanded, full screen, collage approach. It was among the sites that embraced this approach before it became trendy, and matches the space well.
Angle2
We adore the typography of Angle2. It & rsquo; s another slideshow-style website, but it & rsquo; s brought to existence by the typography’s angles and skew. Despite the selection of layouts — just one per page, and also the feeling text — it remains usable.
Florent Biffi
In case 2019 was the year of a single effect, it was the year of liquid-style consequences. One of the very first we watched was Florent Biffi’s site, with enormous, bold typography and a subtle rippling effect within the plan.
Bethany Heck
We loved the semi-brutalist approach of Bethany Heck’s portfolio. It’s merely a collection of project titles, and in places the logos, that lead either to the website or to an internal connection with typography.
Bold
Bold’s portfolio is a simple presentation with some exceptionally sophisticated specifics. We loved the way the border expands from the pictures as you scroll right . It’s a very understated and sure portfolio that sells to big names.
Transatlantic Film Orchestra
The Transatlantic Film Orchestra create music for video. Its website opens with absolutely no sound, and calm, dark, monochromatic visuals, which is just the ideal approach. When we actually decided to play the sound, we loved the UI.
Nick Losacco
Nick Losacco’s site highlights a whole great deal of unique abilities, not least his typeface design. The entire website relies heavily on daring typography and an crimson background for its personality.
Versett
Versett’s portfolio is a fresh, contemporary website, that leans towards a one-page approach without ever fully embracing it. It’s easy to scan if you’re a business comparing potential bureaus, and we loved the “More+” menu option that herds you towards different options like product design, or launching a new business.
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